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10 Indian films you won’t believe were made by these directors

TFI Desk by TFI Desk
7 July 2023
in Cinema
10 Indian films you won’t believe were made by these directors
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Indian cinema is known for its diverse range of films, each reflecting the unique vision of its director. However, there are instances when renowned directors surprise audiences by stepping out of their comfort zones and venturing into unconventional genres. Here are 10 Indian films that you won’t believe were made by these directors, as they differ significantly from their usual choice of film genres.

10 Indian films that you won’t believe were made by these directors

Here are 10 Indian films that you won’t believe were made by these directors, as they differ significantly from their usual choice of film genres.

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Ittefaq [1969]:

Yash Chopra is the synonym of grand set pieces, visually appealing narrative, memorable songs and epic romance. However, did you know that this guy also directed a songless thriller called “Ittefaq”. Based on an American movie, this movie starred Rajesh Khanna in a rather unconventional role, and this movie had no interval. However, this movie did intrigue some folks, and it was almost a hit for its time.

Swarg [1990]:

Ever thought David Dhawan could such a serious, compelling entertainer? But that was one of his rare movies, where he did not go for the comical tropes. Starring Rajesh Khanna and Govinda, the emotional drama had sent audience for tissues and handkerchiefs, way before Baghban recreated the same emotions in the early 21st century.

Andaaz Apna Apna [1994]:

Who would have thought that the very man who created films like “Ghayal”, “Damini” etc., would create a comic masterpiece like this? Starring Aamir Khan and Salman Khan, this movie was initially not successful at the box office. But eventually it developed its own cult, and a pretty huge one at that.

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Kaalapani [1996]:

Kaalapani, a historical drama film released in 1996, was a departure from the usual comedic films directed by Priyadarshan. Set during the British Raj, the movie depicted the horrors faced by Indian prisoners in the Cellular Jail of Andaman and Nicobar Islands. Known for his comedy-oriented films, Priyadarshan demonstrated his versatility by directing Kaalapani, showcasing his ability to handle intense and emotionally charged narratives beyond his typical genre of filmmaking.

Deewangee [2002]:

Who would have thought that a man, with films like Welcome, No Entry, Bhool Bhulaiyaa 2 in his kitty, would also make a film like this? Based on the American thriller “Primal Fear”, the movie had the likes of Ajay Devgn, Urmila Matondkar and Akshaye Khanna in principal roles. The movie was a surprise success, and so was Ajay’s rendition of a psychopathic, but smart killer. Like Joker once said, “All it takes is a little push!”

Black [2005]:

When a director deviates from his usual course, it may or may not be successful. But Sanjay Leela Bhansali is probably made of some other stuff altogether. Known for his grandiose period dramas and visually opulent films, Sanjay Leela Bhansali took a remarkable departure with “Black.” This critically acclaimed movie explores the relationship between a deaf-blind girl and her teacher, delivering a poignant and emotional story that stands in stark contrast to Bhansali’s typical extravagant productions.

Golmaal: Fun Unlimited [2006]:

For Rohit Shetty, who is an action guy, and who made his debut with “Zameen”, an action film, this was completely different. But writer Neeraj Vora made the job easier by adapting his own play “Aflatoon” into this movie. The result is a movie, whose every frame is worth a rib-tickling meme!

Return of Hanuman [2007]:

Imagine if I tell you that such a quirky, but devotional movie was actually directed by Anurag Kashyap, in the same year that he made “No Smoking”! Hard to believe, right? But yes, he did, and this was one of his first films, that for a change, did not FLOP!

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Welcome to Sajjanpur [2008]:

Shyam Benegal is the beacon of riveting, parallel cinema. Forget mainstream cinema, comedy was not even his first choice. But then came ‘Welcome to Sajjanpur’, his only second foray into the genre of comedy since “Charandas Chor”. Starring Shreyas Talpade in the lead role, the movie was completely different from the kind of movies Shyam Benegal made, and this was a surprise success as well.

Raanjhanaa [2013]:

Aanand L. Rai, popular for his light-hearted and comedic entertainers, surprised audiences with “Raanjhanaa.” This intense romantic drama set in Varanasi delves into the complexities of love, religion, and political turmoil, showcasing Rai’s versatility and his ability to handle deep emotions and intricate narratives.

These 10 films are a testament to the creative versatility of Indian directors, as they dared to step out of their familiar territory and experiment with different genres. Their ventures into uncharted territories not only surprised audiences but also showcased their ability to excel in diverse storytelling styles, further enriching the landscape of Indian cinema

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Tags: astonishing collaborationsastonishing directorial venturesdirectorial surprisesdirectorial versatilityfilmmaker revelationshidden talentsIndian filmsmind-boggling filmographysurprising director-film combinationssurprising directorsunbelievable director-film connectionsunconventional pairingsunconventional projectsunexpected choicesunexpected creations
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