‘Dhurandhar,’ directed by Aditya Dhar and starring Ranveer Singh in the lead, has etched its name in Indian cinema history by crossing the Rs 1000 crore mark at the global box office as it entered its fourth week in theatres. Released on December 5, the film has emerged as one of the biggest blockbusters the industry has ever seen.
Maintaining a strong hold even in its fourth weekend, Dhurandhar continued its impressive run on Day 22. Early estimates from Sacnilk suggest the film earned approximately Rs 15 crore net in India on Friday—an encouraging figure for a film in its fourth week.
Over its first three weeks, the film amassed Rs 207.25 crore in its opening week, followed by Rs 253.25 crore in week two, and Rs 173 crore in week three. With the latest figures, the film’s total India net collection stands at around Rs 648.50 crore.
Audience interest remains steady, as reflected in Friday’s occupancy figures. The Hindi version recorded an overall occupancy of 28.20%, with morning shows opening at 14.74% and evening shows peaking at 34.90%.
The film’s all-India gross collection has now reached an estimated Rs 778 crore. A substantial boost from overseas markets has further strengthened its box office standing, with international collections reportedly crossing Rs 225 crore. This places Dhurandhar among a select group of Indian films to achieve such numbers overseas.
With worldwide gross collections now estimated at Rs 1003 crore, Dhurandhar has reached the coveted Rs 1000 crore milestone in just 22 days, making it the second-fastest Bollywood film to do so. Shah Rukh Khan’s Jawan (2023) continues to hold the top spot, having achieved the feat in 18 days.
The achievement is particularly notable given that Dhurandhar carries an ‘A’ certificate, restricting its audience to adults. The Ranveer Singh starrer has now become only the ninth Indian film to enter the elite Rs 1000 crore club and is the first release of 2025 to cross the landmark.
Despite entering its fourth week, Dhurandhar continues to outperform competing releases. On Friday, the film recorded double-digit collections, while Avatar: Fire and Ash managed approximately Rs 7.5 crore net, with declines reported across both Hindi and English versions.
Dhurandhar emerged as a refreshing and unapologetically bold entrant in Bollywood’s espionage genre, rejecting the glossy, larger-than-life formula that defined many of its predecessors.
Where earlier blockbusters leaned heavily on spectacle and glamour, Dhurandhar dives into the murky realism of intelligence work, crafting a narrative that feels grounded, tense, and psychologically layered.
The film does not rely on exaggerated heroism or romantic escapades to drive the story forward. Instead, it presents espionage as a world built on secrecy, sacrifice, and moral ambiguity, setting itself apart from the mainstream thrillers that dominated the decade.
One of the central criticisms audiences have had about films like Pathaan, War, Ek Tha Tiger, and Tiger Zinda Hai is their reliance on hyper-stylized storytelling. These movies often portrayed international intelligence agencies in improbably harmonious ways or inserted romance between opposing operatives as a dramatic centerpiece.
These creative choices, while commercially successful, frequently diluted the seriousness of their narratives. Instead of leaning into the inherent tension of geopolitical conflict, they introduced melodramatic twists and glossy emotional arcs that sometimes felt out of place in a spy thriller. The result was a cinematic tone that many viewers found overly idealized or even childish.
Dhurandhar consciously breaks away from that pattern. While working firmly within the realm of fiction, it avoids depicting rival intelligence services through a sanitized or overly friendly lens.
Instead, the film embraces the competitive, high-stakes atmosphere that defines espionage in most cinematic traditions. It shows the complexities of distrust, strategic manipulation, and relentless pressure without relying on sentimental shortcuts or convenient alliances.
Importantly, it does so without making factual claims about any real-world intelligence agency. Rather, it uses fictionalized portrayals to explore the psychological intensity of a profession where trust is rare and danger is constant.