Prakash Raj is a classic example of biting the hand that feeds you

Prakash Raj

Consider a scenario where you attain popularity and success in a certain profession, but instead of being grateful towards it, you start abusing the people associated with it, who were instrumental in your success. One would naturally question your sanity. However, for actor Prakash Raj, this seems to be a way of life. In this article, we will delve into the life of Prakash Raj, whose talent and ego are poles apart.

Despite being famous in the Hindi industry…

The opposition to Hindi in states like Tamil Nadu and Karnataka has been well-known for a long time, and it is not a new development. The act of dividing the country based on language and being called the pioneer of regionalism has been ongoing. Just like politicians, actors also strive to serve their own interests.

Now, you may wonder, what has Prakash Raj done? Wherever he goes, he speaks out boldly. Prakash Raj, who made his debut in the Kannada and Tamil industries, and was famously named “Prakash Raj” by Balachander, is well-known for his work in regional cinema.

Prakash Raj’s rise to fame with his roles in “Wanted” and “Singham” is well-known. Despite being primarily known for his work in regional cinema, he gained widespread recognition thanks to the acceptance and appreciation of the Hindi-speaking audience. However, his recent behavior is evidence of his downfall, stemming from his frustration with the industry.

His list of grievances is extensive, but it’s not worth going into the specifics due to time constraints. It’s not uncommon for actors, like politicians, to prioritize their self-interest, as evidenced by the long-standing linguistic divisions in states like Tamil Nadu and Karnataka. Prakash Raj has been part of this regionalism movement for a long time.

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Prakash Raj has been making headlines recently due to a controversial photo of him wearing a T-shirt with a message in Kannada. The message, which translates to “I don’t know Hindi. Please speak in Kannada”, has sparked outrage among Hindi speakers who see it as an act of regionalism.

Prakash Raj, who has gained immense popularity in Hindi cinema, is now facing criticism for his apparent disregard for the language that has helped him achieve success. His previous roles in movies like “Wanted” and “Singham” have made him a household name across India.

However, his recent actions have caused many to question his motives and loyalty. The T-shirt incident has reignited the ongoing debate over the use of regional languages in India, with many seeing it as an attempt to divide the country on linguistic lines.

But the question still persists

It’s important to acknowledge that when we are born or reside in a particular region of the country, we should strive to learn and appreciate the local language and culture in order to foster harmony. However, this does not mean that a person should be constantly criticized for their lack of knowledge in the language. Unfortunately, Prakash Raj seems to have made a business out of his twisted mindset by repeatedly engaging in such behavior.

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Hindi and Telugu

Prakash Raj’s opposition to not just Hindi, but also Telugu, is quite evident. His behavior is reminiscent of someone who would be the unchallenged dean of the Tukde Tukde Gang university. Even Kamal Haasan and Swara Bhaskar would be in awe of his antics, wondering where he has been all this time. His behavior even makes Siddharth Suryanarayan, who played a part in the film Rang De Basanti, seem wise in comparison.

These antics…

However, Prakash Raj’s objections are not just limited to Hindi. He is a person who is rejected and criticized everywhere, but he still persists in his gimmicks. His basic life principle is “to do anything without hurting my ego,” and his stubbornness is the reason why the Telugu film industry has banned him not just once, but six times. Despite this, Prakash Raj persists and returns, groveling. His hypocrisy knows no bounds.

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Mood Swings…

Prakash Raj’s mood swings in the name of opposing Modi should make even modern feminists feel ashamed. These individuals cry for unity in diversity on one hand, but on the other hand, they abuse anyone who speaks Hindi and repeat the same thoughts in “Jai Bhim”. They are not content with the success of RRR at the Oscars but instead fume over the rejection of “The Kashmir Files”, which was submitted for nominations in the main list.

A few years ago, when actor Ravi Kishan was highlighting the film industry’s deteriorating condition, particularly Bollywood, in Parliament and warning against the consequences of its arrogance, Jaya Bachchan cursed him in response. She said, “These people make holes in the plate on which they eat.” However, observing Prakash Raj’s antics, it seems Jaya Bachchan may not have even been targeting him, and he is beyond reproach.

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